Lysn is a electro-acoustic impro act created and fronted by trombonist/electronicist Hilary Jeffery, with guitarist/vocalist/electronicist Marc Weiser, trumpetist Franz Hautzinger and drummer/pianist Steve Heather - all four familiar to European impro scene followers.
I quite enjoyed Lysn music and after having a look at their website I understand why: their project meet many of my current concerns about music - psychedelism, drones, trance -, and many of their references are also mine - a.o. Gong, Angelo Badalamenti, Can, Public Image Ltd, the Velvet Underground... The flesh of the music is provided by heavily effected trombone and trumpet building solid layers of rich and complex brass sounds, combining bright drones and shorts hypnotic loops. Jeffery completes his trombone with a gizmo box (the whole thing he calls the 'tromboscillator') that allows him to reach extremely low notes; he often settles the pieces on three slowly looped notes, simple and solid harmonies on which his colleagues can go wild.
Weiser's voice work - filtered by a Kaos Pad - ranges from Pink Floydian etheral voice to clownish hectic speeches, and his guitar provides rhythmic patterns and noises; Heather is apparently not a regular player of the band but his contribution was highly appreciated, either with minimal piano harmonies or hit-hat/shakers tiny rhythms - seems to be an adept of limited instrumentation, I appreciate that.
Again, I didn't think of bringing a camera, reviewing concerts in a new trend on this blog that I start to enjoy - gotta do it seriously...
I quite enjoyed Lysn music and after having a look at their website I understand why: their project meet many of my current concerns about music - psychedelism, drones, trance -, and many of their references are also mine - a.o. Gong, Angelo Badalamenti, Can, Public Image Ltd, the Velvet Underground... The flesh of the music is provided by heavily effected trombone and trumpet building solid layers of rich and complex brass sounds, combining bright drones and shorts hypnotic loops. Jeffery completes his trombone with a gizmo box (the whole thing he calls the 'tromboscillator') that allows him to reach extremely low notes; he often settles the pieces on three slowly looped notes, simple and solid harmonies on which his colleagues can go wild.
Weiser's voice work - filtered by a Kaos Pad - ranges from Pink Floydian etheral voice to clownish hectic speeches, and his guitar provides rhythmic patterns and noises; Heather is apparently not a regular player of the band but his contribution was highly appreciated, either with minimal piano harmonies or hit-hat/shakers tiny rhythms - seems to be an adept of limited instrumentation, I appreciate that.
Again, I didn't think of bringing a camera, reviewing concerts in a new trend on this blog that I start to enjoy - gotta do it seriously...
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